Post by Lucifers God on Aug 13, 2016 20:06:03 GMT -8
I have always enjoyed reading Von Daniken when I was young. The Idea of ancient megalith builders using alien technology and ancient visitors to earth thousands and thousands of years is so fascinating to fathom. There is no evidence to disprove that ancient aliens played a hand in our past. The bible and many other religions can be interpreted in such a way that it would make more sense that these 'angelic beings' were actually advanced, physical race that did intervene from space or ?
The ancient precise structures found around the world were built by advanced men using methods forgotten to us. A technology not like our own, a more natural technology using forces already present. Anything from sonic acoustic tech to hydro/water/wind/sun tech, these structures had nothing to do with aliens but has everything to do with a lost history of mankind that supported a level of technology that was not recorded in history. To assume that they were made by aliens is an amazing compliment to our ancient relatives who did build these structures. I am sure they would have a great laugh.
Using a natural technology forgotten or discarded by us that wouldn't leave much evidence such as sound and light could very well explain as to why we are puzzled as to how ancients sites were constructed in the past.
So how did they moved and cut such great stones with modern like precision?
Here is a theory as to how they cut the stone. They used sound. Tuning forks, vibration, sonic drilling, acoustic levitation to name a few. This isnt magical science or alien tech at all and could be achieved using ancient methods and materials.
Sonic drilling.
This is from NASA.
How would the ancients have achieved this? Tuning forks and vibrating metal. Quite simple and the materials needed were in use in those times
You can’t drill and shape stones as you would metal or wood, especially hard stones like granite, because they are made of extremely hard mineral particles that overheat and wear down the tool bit.
Normally it takes a special diamond cutting wheel and a slowly turning drill bit, lots of cooling fluid, and very slow progress to drill through granite.
A better method is sonic drilling. Sound vibrations are sent through a drill bit or even a metal pipe, so that the end in contact with the stone surface acts as a high-frequency jack-
. The drill barely needs to turn, since it’s the vibrational impacts and shattering that do the job.
ts4f669e96.jpg
Compared to conventional drilling, this method is faster, puts less wear on the tool bit, and takes less energy.
So, conceivably one could turn the handle of a large tuning fork into a cutting rod, whether a drill tube or drill bit, and thereby have a sonic drill that can handle hard stones. Even a copper tube would cut into granite in that case. Or instead of a tube, the end could be flat like a chisel or spade to cut instead of drill.
To make a tuning fork sonic drill, the resonant frequency of the cutting rod must match the frequency of the fork it’s attached to. The way it works is that transverse vibrations from the tines move the bottom of the U-shape up and down, which sends longitudinal vibrations down through the cutting rod.
The tuning fork idea or at least vibrational energy is what I seemed to always lean to when I see megaliths built so smoothed and put together as if they were melted together such as the one in Bolivia
zi4f66a172.jpg
The ancients could of very well of vibrated a stone across the ground with horns, loud shouting or singing/chanting or tuning forks.
This is how much for you need for a sonic drill
Edward Leedskalnin's other four pamphlets addressed his theories on magnetism, detailing his theories on the interaction of electricity, magnetism and the body; Leedskalnin also included a number of simple experiments to validate his theories.
Most importantly, Edward Leedskalnin claimed that all matter was being acted upon by what he called "individual magnets". Simply a positive and a negative like a battery. It is obvious from the pamphlets that he produced that this theory became the base of all of his work, and most likely thoughts as well. He also attempted to claim that scientists of his time were looking in the wrong place for their understanding of electricity, and that they were only observing "one half of the whole concept" with "one sided tools of measurement". (Info from Ed's own scientific pamphlets).
Some believe that a black box which was placed on top of the tripod he used to help move the stones was the source of the magnetism.
Acoustic engineers have developed small, concave piezoelectric transducers enabling the generation of standing waves for acoustic levitation. Both water and small living organisms (like the beetle, above) have been levitated using ultrasound, while the ancients used giant low-frequency transducers. During the conquest of the Americas, historian Garcilaso de la Vega documented the destruction of giant granite bowls at Inca sites in the Andes having diameters that exceeded the height of two men. Concave granite basins were also found in the passage chambers of Knowth, Dowth and Newgrange, in Ireland. Just as in the case of the pyramid chambers, the world's megalithic chambers also produced lightwater vapor.
So how does sound do its thing in a stone?
Well, when a stone vibrates at its resonant frequency, a standing wave of compression/expansion sets up within it. What makes stones unique is that they are piezo-electric, meaning they convert pressure into electricity.
Therefore, applying sound to a stone converts that sound into electromagnetic or electrogravitational energy.
Imagine that - you hit a large tuning fork with a, apply the bottom of its handle to the side of a stone, the stone vibrates in sympathy, standing waves arise within the stone, and those standing waves turn into electromagnetic or gravitational waves.
How gravitational waves are produced this way is implied in my other physics Research Notes. In short, longitudinal acoustic waves in stones create longitudinal magnetic vector potential waves within the stone, thanks to the piezoelectric effect, and these are identically gravitational potential waves.
When gravitational potential waves are made to be standing waves, you have a stable gravitational node or antinode at the center of the stone - essentially an artificial vibrating center of gravity. That alone may affect the stone’s weight (not to mention, may open portals if the gravitational node is sufficiently intense).
Now, by additionally muting the opposing end of the stone (say through a non-vibrating rod pressed against it) the node shifts a bit off center, thereby unbalancing the stone’s center of gravity. If shifted upwards, the stone will become lighter.
The point of muting and point of applied vibration can be shifted to direct the stones.
This next video uses a technology that is quite primitive.
iezoelectric Basins for Acoustic Levitation Identified at Megalithic Sites
The many astoundingly beautiful monuments of the Giza plateau, along the Nile River in Egypt, display a remarkably precise set of engineering specifications and psychoacoustic effects that indicate an ancient biorhythmic synchronization network once operated on a global scale. Preceding the Dynasties of the Pharaohs by several thousand years, this global pyramid culture was a technologically advanced Sanskrit world nation that employed these giant crystalline structures to synchronize the pineal, hypothalamus and pituitary glands with the human heartbeat at temples and sacred sites worldwide.
What are your thoughts on this?
The ancient precise structures found around the world were built by advanced men using methods forgotten to us. A technology not like our own, a more natural technology using forces already present. Anything from sonic acoustic tech to hydro/water/wind/sun tech, these structures had nothing to do with aliens but has everything to do with a lost history of mankind that supported a level of technology that was not recorded in history. To assume that they were made by aliens is an amazing compliment to our ancient relatives who did build these structures. I am sure they would have a great laugh.
Using a natural technology forgotten or discarded by us that wouldn't leave much evidence such as sound and light could very well explain as to why we are puzzled as to how ancients sites were constructed in the past.
So how did they moved and cut such great stones with modern like precision?
Here is a theory as to how they cut the stone. They used sound. Tuning forks, vibration, sonic drilling, acoustic levitation to name a few. This isnt magical science or alien tech at all and could be achieved using ancient methods and materials.
Sonic drilling.
This is from NASA.
How would the ancients have achieved this? Tuning forks and vibrating metal. Quite simple and the materials needed were in use in those times
You can’t drill and shape stones as you would metal or wood, especially hard stones like granite, because they are made of extremely hard mineral particles that overheat and wear down the tool bit.
Normally it takes a special diamond cutting wheel and a slowly turning drill bit, lots of cooling fluid, and very slow progress to drill through granite.
A better method is sonic drilling. Sound vibrations are sent through a drill bit or even a metal pipe, so that the end in contact with the stone surface acts as a high-frequency jack-
. The drill barely needs to turn, since it’s the vibrational impacts and shattering that do the job.ts4f669e96.jpg
Compared to conventional drilling, this method is faster, puts less wear on the tool bit, and takes less energy.
So, conceivably one could turn the handle of a large tuning fork into a cutting rod, whether a drill tube or drill bit, and thereby have a sonic drill that can handle hard stones. Even a copper tube would cut into granite in that case. Or instead of a tube, the end could be flat like a chisel or spade to cut instead of drill.
To make a tuning fork sonic drill, the resonant frequency of the cutting rod must match the frequency of the fork it’s attached to. The way it works is that transverse vibrations from the tines move the bottom of the U-shape up and down, which sends longitudinal vibrations down through the cutting rod.
The tuning fork idea or at least vibrational energy is what I seemed to always lean to when I see megaliths built so smoothed and put together as if they were melted together such as the one in Bolivia
zi4f66a172.jpg
The ancients could of very well of vibrated a stone across the ground with horns, loud shouting or singing/chanting or tuning forks.
This is how much for you need for a sonic drill
Edward Leedskalnin's other four pamphlets addressed his theories on magnetism, detailing his theories on the interaction of electricity, magnetism and the body; Leedskalnin also included a number of simple experiments to validate his theories.
Most importantly, Edward Leedskalnin claimed that all matter was being acted upon by what he called "individual magnets". Simply a positive and a negative like a battery. It is obvious from the pamphlets that he produced that this theory became the base of all of his work, and most likely thoughts as well. He also attempted to claim that scientists of his time were looking in the wrong place for their understanding of electricity, and that they were only observing "one half of the whole concept" with "one sided tools of measurement". (Info from Ed's own scientific pamphlets).
Some believe that a black box which was placed on top of the tripod he used to help move the stones was the source of the magnetism.
Acoustic engineers have developed small, concave piezoelectric transducers enabling the generation of standing waves for acoustic levitation. Both water and small living organisms (like the beetle, above) have been levitated using ultrasound, while the ancients used giant low-frequency transducers. During the conquest of the Americas, historian Garcilaso de la Vega documented the destruction of giant granite bowls at Inca sites in the Andes having diameters that exceeded the height of two men. Concave granite basins were also found in the passage chambers of Knowth, Dowth and Newgrange, in Ireland. Just as in the case of the pyramid chambers, the world's megalithic chambers also produced lightwater vapor.
So how does sound do its thing in a stone?
Well, when a stone vibrates at its resonant frequency, a standing wave of compression/expansion sets up within it. What makes stones unique is that they are piezo-electric, meaning they convert pressure into electricity.
Therefore, applying sound to a stone converts that sound into electromagnetic or electrogravitational energy.
Imagine that - you hit a large tuning fork with a
, apply the bottom of its handle to the side of a stone, the stone vibrates in sympathy, standing waves arise within the stone, and those standing waves turn into electromagnetic or gravitational waves.How gravitational waves are produced this way is implied in my other physics Research Notes. In short, longitudinal acoustic waves in stones create longitudinal magnetic vector potential waves within the stone, thanks to the piezoelectric effect, and these are identically gravitational potential waves.
When gravitational potential waves are made to be standing waves, you have a stable gravitational node or antinode at the center of the stone - essentially an artificial vibrating center of gravity. That alone may affect the stone’s weight (not to mention, may open portals if the gravitational node is sufficiently intense).
Now, by additionally muting the opposing end of the stone (say through a non-vibrating rod pressed against it) the node shifts a bit off center, thereby unbalancing the stone’s center of gravity. If shifted upwards, the stone will become lighter.
The point of muting and point of applied vibration can be shifted to direct the stones.
This next video uses a technology that is quite primitive.
iezoelectric Basins for Acoustic Levitation Identified at Megalithic Sites
The many astoundingly beautiful monuments of the Giza plateau, along the Nile River in Egypt, display a remarkably precise set of engineering specifications and psychoacoustic effects that indicate an ancient biorhythmic synchronization network once operated on a global scale. Preceding the Dynasties of the Pharaohs by several thousand years, this global pyramid culture was a technologically advanced Sanskrit world nation that employed these giant crystalline structures to synchronize the pineal, hypothalamus and pituitary glands with the human heartbeat at temples and sacred sites worldwide.
What are your thoughts on this?